The piece
Published with the first one in December 1827 by Tobias Haslinger, this impromptu in E-flat major rests on a perpetual motion in the right hand: triplet eighths that climb and fall without stopping, over a light bass in three. At its centre, in B minor, a rougher episode marked ben marcato sets strong accents against it. The coda speeds up (accelerando over four bars) and the piece ends, against expectation, in E-flat minor.
Everything depends on even triplets: pass the thumb without jolts, keep the wrist supple, and start slowly, barely stressing the first beat to feel the bar. The left hand stays discreet, a bass note then a chord. In the central episode the accents need weight from the arm, not stiffness. Raise the tempo in steps up to the 192 to the quarter of this edition.